Just uploaded: reviews of two rare film music programs screened at the Toronto Jewish Film Festival – American Musical Theatre: Elmer Bernstein (1961) and Film Music Masters: Jerry Goldsmith (1995) – plus some quick soundtrack news.
Yes, the Toronto Jewish Film Festival is on, and today marks the beginning of a major sidebar series on film music. Check out the week’s tally, and plan your week accordingly.
Just uploaded is a quartet of soundtrack reviews, starting with Howard Shore’s Hugo (HOWE Records), and a few horror titles from La-La land Records that didn’t quite make it into Rue Morgue’s coverage due to space issues… and were perhaps overlooked… until now: Danny Elfman’s epic Planet of the Apes (in a fat 3-disc set),Trevor Jones’ The Sender, and Basil Poledouris’ Spellbinder. Also detailed: specifics of the Film Music Sidebar Series at the upcoming Toronto Jewish Film Festival (May 3-13), including a few things involving me!
Reviews of Code Red’s B-movie double-bill Stoney / Surabaya Conspiracy (1969) + The Killer Likes Candy / Un killer per sua maestà (1968).
Idle Sunday news bits about “caring sessions” in two Calgary grade schools in place of Halloween, Mario Bava, spooky movies at NYC’s Lincoln Center and Film Forum, Nicholas Ray at the Lightbox, and a screening of Israel’s first horror film Rabies / Kalevet (2010) at Innis Hall tonight.
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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