Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Even after the lengthy wave of 1980s gory drive-in shockers and the slasher craze (writer Gray penned the CanCon classiques Prom Night and Humungous; co-writer Diana Maddox The Amateur for the producers), The Changeling still retained respect from genre fans because of its unnerving story of a concert pianist…
Review of the CanCon classic I’ve Heard the Mermaids Singing (1987) and much-maligned White Room (1990) + Q&A audio of director Patricia Rozema & journalist Kiva Reardon during National Canadian Film Day.
As Patricia Rozema recalls in her commentary track for the Miramax & Alliance DVD, she never expected her feature-length directorial debut to become a critically lauded work locally and abroad, but her tale of a young woman’s attraction to her boss and the worth of creative energy has enough heart and whimsy that it evolved over a relatively short time into a Canadian classic…
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
Review of the romantic meanie, OVERBOARD (1987), new on Blu from Severin Films, plus some thoughts on the 2018 remake.
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
BR: Deep Blood / Sangue negli abissi (1990)
The lineage linking three specific Jaws rip-offs from Italy goes beyond merely riffing Steven Spielberg’s 1975 film about a beach community threatened by a great white shark…
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