Charles Bronson coaches Elvis Presley in the unlikely musical-drama-comedy Kid Galahad (1962) on Blu via Twilight Time + a comparative review of the extras between Twilight Time & Eureka’s Masters of Cinema Hard Times (1975).
Hickey & Boggs could be described as a classic orphan film – a movie that vanished after its theatrical release and kind of rolled around TV stations in absolutely grubby full screen transfers that made it appear this effort to re-team I Spy’s Robert Culp and Bill Cosby…
Reviews of three Walter Hill films: his diretorial debut Hard Times (1975) + the superb car chase film The Driver (1978), newly minted on Blu-ray from Twilight Time; and Bullet to the Head (2012) from Warner Home Video, his return to the director’s chair after a 10 year absence from feature film directing. Also: William Friedkin discusses the looming release of his long-ignored masterwork, Sorcerer (1977) after turining 78 this week.
Film: Excellent DVD Transfer: Excellent DVD Extras: Good Label: Twilight Time Region: All Released: June 11, 2013 Genre: Drama / Action Synopsis: A travelling fighter makes a little extra cash in hot and testy New Orleans. Special Features: Isolated Stereo Score Track / Theatrical Trailer / 8-page booklet with liner notes by film historian Julie […]
Return to: Home / Blu-ray, DVD, Film Reviews / D . Film: Excellent/ BR Transfer: Excellent/ BR Extras: Very Good Label: Twilight Time/ Region: All / Released: July 23, 2013 Genre: Action / Crime / Car Chase Synopsis: A sharp & persistent cop is determined to collar a getaway driver involved in a string of violent downtown […]
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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