The Nazis’ massive theft of art from the collections of wealthy and middle class Jewish families is examined in this taut documentary by director Claudio Poli with actor Toni Servillo…
Reviews of Leni Riefenstahl’s trio of Nuremberg films made for the Nazi party – Victory of the Faith (1933) via Archive.org, Triumph of the Will (1934) + Day of Freedom (1935) on Blu via Synapse Films – and Stuart Schulberg’s sobering Nuremberg: Its Lessons for Today (1948).
Perhaps the ultimate and scariest propaganda film ever made – and rightly so – Leni Riefenstahl’s self-professed ‘document’ of the 1934 Nazi Party Congress in Nuremberg was a meticulously plotted production designed from the ground-up to assault the senses of German audiences and make it clear Adolph Hitler was not only the country’s man in charge, but its self-appointed savior and visionary…
The peculiar background behind what seems like a generic short-form tribute to the Third Reich infantry stems from the Wehrmacht being peeved by receiving not only a paltry 2 mins. of screen time in Triumph of the Will (1934), but having to fight for that much of an allotment in what was the Nazi party’s definitive propaganda advert…
In 1933, Leni Riefenstahl made the move from dancer, actress, and fiction film director to documentaries, launching her new career as the Third Reich’s premiere propaganda filmmaker with her hour-long chronicle of the fifth NSDAP party rally, held in Nuremberg in 1933…
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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