A quartet of films with differing tales of prostitutes & vice squads: Janice Cole & Holly Dale’s Hookers on Davie (1984), Gary Sherman’s uber-nasty Vice Squad (1982), Penelope Spheeris’s Hollywood Vice Squad (1986), and George Kaczender’s Prettykill / Tomorrow’s Killer (1987).
During the early 1980s, Janice Cole and Holly Dale directed a pivotal documentary on prostitution in Canada, with their gritty 16mm camera trained on Vancouver’s Davie Street, branded in the film’s prologue as “the prostitution capitol of Canada”…
After the launch of Pay TV stations in the U.S. and soon after Canada, the 1980s became cluttered with direct to video and straight to cable films, most being highly disposable productions designed to fill a time slot and video rental rack than stand out among the crowd…
In my latest podcast, composer Joe Kraemer discusses the fine art of scoring satire for the Amazon exclusive series Comrade Detective: Season 1 + King Cohen: The Wild World of Filmmaker Larry Cohen, and more!
Not to be confused in any way with the 1988 Chevy Chase film, this CanCon production predated the Tom Hanks drama Punchline (also 1988) in examining the world of standup comedy, albeit through the lenses of goofy glasses. The cast of comedians is perhaps a key reason the film managed to sneak its way to DVD via Code Red, treating it with affection…
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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