Comes a Horseman may be regarded as a revisionist western – its setting near the end of WWII offers an interesting series of culture clashes between returning war veterans, locals, traditionalist cow herders, and the emerging postwar economy that would boom with oil and mineral mining in formally pristine environments…
Bob Rafelson’s 1981 adaptation of The Postman Always Rings Twice can’t be credited with launching a resurgence of noir in the 1980s (the honors to some degree probably belong to Lawrence Kasdan’s competing, sweaty 1981 neo-noir classic Body Heat), Rafelson did revisit the genre a couple of times…
Robert Wise had already proven his flair for slow-burning horror in The Haunting (1963) and procedural sci-fi with The Andromeda Strain (1971), and his background as an editor ensures the strategic shocks really pack an emotional wallop, but he’s essentially building on an already solid core of adult characters forced to watch a child they love be afflicted by awfully traumatic nightmares…
Return to: Home / Blu-ray, DVD, Film Reviews / D . Film: Excellent/ BR Transfer: Excellent/ BR Extras: Very Good Label: Twilight Time/ Region: All / Released: July 23, 2013 Genre: Action / Crime / Car Chase Synopsis: A sharp & persistent cop is determined to collar a getaway driver involved in a string of violent downtown […]
Return to: Home / Soundtrack Reviews / P to R . Rating: Excellent Label: Intrada/ Released: May 14, 2012 Tracks & Album Length: 27 tracks / (60:20) . Special Notes: 16-page booklet with liner notes / Limited Edition. . Composer: Michael Small . . Review: Not unlike Jerry Fielding (The Mechanic) or Alex North (Dragonslayer [M]), the […]
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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