Anka Schmid’s documentary is filled with unexpected revelations of the main duo that makes up the iconic Europ synth-pop band Yello, best known for the bass-pounding “Oh Yeah” that was heavily featured in John Hughes’ teen comedy Ferris Bueller’s Day Off (1986)…
Lunar exploration are the feature attraction in Ray Harryhausen’s First Men in the Moon (1964) on Blu from Twilight Time and Byron Haskin’s From the Earth to the Moon (1958) on spectacular VHS + a bit on RKO Radio Pictures.
According to the Blu-ray’s commentary track, Ray Harryhausen had wanted to film a work by H.G. Wells since the 1950s, but things finally clicked in 1964 when he developed and produced a lively version of the author’s 1901 slim novel, and what remains his only film in 2.35:1 ‘scope…
Jules Verne’s eponymous novel and its sequel, Around the Moon, were fused into one screenplay that should’ve been fanciful and filled with plenty of political commentary on the military industrial complex, but being the second-last completed production by dying studio RKO, the film’s budget was reportedly cut down…
In Part 1, the first two films by Yasuharu Hasebe are examined: Black Tight Killers (1966) and new on Blu from Arrow Video / MVD Visual, Massacre Gun (1967).
Now Where Were We? Right. Let’s go back to LAST NIGHT (1998)
Don McKellar’s LAST NIGHT (1998) is the first review after a long pause in activities at KQEK.com
Gothic Steele: An Angel for Satan (1966)
Review of AN ANGEL FOR SATAN / UN ANGELO PER SATANA (1966), Barbara Steele’s last Italian Gothic, on Blu-ray from Severin Films
Spanish Giallo I: When a Cannibal is not a Cannibal, but When a Scream is Indeed a Scream
Severin Films showcases the work of Eloy de la Iglesia via two fine Spanish gialli entries: NO ONE HEARD THE SCREAM (1973) + CANNIBAL MAN (1972)
ArtScopeTO 10: Interview with Abstract Painter Donna Wise
For my occasional podcast series ArtScope TO, Abstract Painter Donna Wise discusses her unique techniques, and working during the 2020-2021 pandemic.
Podcast: Jason Pichonsky on Restoring Julian Roffman’s THE BLOODY BROOD (1959) + PHOBIA (1980)
Alongside a podcast with CanCon film historian Jason Pichonsky are revised reviews of Julian Roffman’s THE BLOODY BROOD (1959) + John Huston’s PHOBIA (1980), both from KINO Lorber / Unobstructed View.
Podcast: ANNE WITH AN E composers Amin Bhatia & Ari Posner
Podcast interview with ANNE WITH AN E’s composing team Amin Bhatia and Ari Posner.
Assorted characters collide and interact in the lead-up to Earth’s demise at precisely midnight.
BR: Angel for Satan, An / Un angelo per Satana (1966)
Had Barbara Steele remained in Europe – especially Italy – during the early 1970s, she may well have appeared in giallo thrillers…
BR: Cannibal Man / La semana del asesino / Apartment on the 13th Floor, The (1972)
Cannibal Man has a palpable crime-drama feel – the events unfold after daily title cards – and one can sense Hitchcockian sensibilities…
BR: No One Heard the Scream / Nadie oyó gritar (1973)
After the grisly thriller Cannibal Man (1972), Spanish auteur Eloy de la Iglesia opted for a far less graphic thriller which is part giallo…
DVD: Go-Go Boys: The Inside Story of Cannon Films, The (2014)
Produced and released around the same time as Electric Boogaloo: The Wild, Untold Story of Cannon Films (2014), the approach by director Hilla Medalia is a more authorized chronicle…
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