In the two years since the release of Stephen Sondheim’s Evening Primrose (1967), Kritzerland Records’ catalogue of classic film score titles has grown to include many premiere releases, allowing fans to scratch off titles from their Wish Lists, and hope maybe another impossible gem might appear on the horizon.
In our second Q&A, producer Bruce Kimmel discusses the inimitable music of Albert Glasser, and the 2-CD release of Hugo Friedhofer’s One-Eyed Jacks (1961), perhaps the composer’s last great score prior to his moving into TV, where the work was more steady, and differently affected by studio politics, egos, and the music editor’s sharp scissors…
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