Soundtrack Reviews: A Quintet of Heroes
Just uploaded is a quintet of soundtrack reviews more or less themed towards heroes – comic book, pulp, fantasy, novelish, and dumb.
Thomas Newman’s debut as a Bond composer with Skyfall [M] (Sony Classical) marks the first time in 5 years the franchise opened the door to a new musical voice. I liked David Arnold, but always felt his music couldn’t save the increasing awfulness of the Pierce Brosnan films (and if you think Die Another Day was a quality franchise entry, I call temporary insanity).
John Ottman got his chance to score a X-Men film with X2: X-Men United [M] after scheduling conflicts made it impossible to score the first of Bryan Singer’s franchise entries. La-La Land released a 2-disc edition of Ottman’s score, and it works even better in its epic length.
Less successful were a set of efforts that ended up just being one-offs. David Newman’s The Phantom [M] (also from LLL) was the best thing about this terrible attempt to ride the comic book hero wave in the late 80s / early 90s, whereas James Horner’s Krull [M] (LLL) spread over 2 CDs has aged better than expected; the orchestrations and writing are sharp, but there are bits & pieces of prior / later scores which will reinforce the stance of his critics’ that he’s been riffing off 3 original works for a long while.
The last score is Hans Zimmer’s Black Rain [M],aka the dumb hero film because it codifies all the stupidities inherent to the arrogant action films of the late 80s / early 90s which almost 2 decades later, kind of make them fun, given their inherent fromage factor. Also expanded by LLL, the 2-disc edition features what became the standard in action scoring, and it’s filled with bombastic synths & percussions in the best possible way.
Coming shortly: a review of Fritz Lang’s so-called Indian epics, recently screened at the TIFF Bell Lightbox (real prints!), more soundtrack reviews, a podcast, and smutty films.
Also note: This Tuesday, the Lightbox will feature are rare screening of Puppet on a Chain (1971) as part of their all-things spyish screenings, interpolated into their 007 retrospective. Based on the novel by Alistair MacLean. Dutch locations. Hideous life-size dolls. Music by Piero Piccioni. Hopefully a real print. Why not?
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Mark R. Hasan, Editor
KQEK.com ( Main Site / Mobile Site )
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