Marco Beltrami’s The Wolverine
The Wolverine [M] – not to be confused with X-Men Origins: Wolverine (2009) – looms on July’s release horizon, so I’ve uploaded an early review of Marco Beltrami’s unusually understated score.
I’ll also have set of superhero-ish / comic book / graphic novel soundrack reviews up shortly, including Wolverine‘s polar opposite, the massive World War Z, also scored by Beltrami. Coming up in the next Rue Morgue issue is my interview with Beltrami who discusses WWZ‘s thematic design and post-production challenges. A longer podcast version will be up at Big Head Amusements soon after, with additional discussions on favourite action scores recent, a little older.
Next week Andrew Bujalski’s Computer Chess opens in Toronto, and I should have one (and maybe two) videos up at Big Head Amusements, detailing the specific camera line used for the film – the Sony AVC-3260 – and an example of how to set up its kissing cousin, the AVC-3250, for filming with its needed 2:1 sync pulse.
In English: there’ll be a video showing how to set up a nearly 40 year old B&W video camera for filming (in case you’re keen on trying out a dino-cam for a similar project), and maybe a related short showing what some edited footage looks like as shot with a 3250. Here’s a link to the first part in this series, the brilliantly titled (ahem) Getting in Sync.
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Mark R. Hasan, Editor
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