Festivals-a-Go-Go + Robert Bresson, Part I
As the TIFF Bell Lightbox begins its latest retro – a full-on salute to French filmmaker Robert Bresson – I’ve added a review of A Man Escaped (1956). Also noted: screenings in town, those that ‘hate’ Toronto, Rob Ford’s ‘irrelevant’ fixation, and the latest Lucasified indulgence that no one seems to care about.
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